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Riverdance Lord Of The Dance Michael Flatley - Gold at Chicago (2000) [DivX Eng Mp3] MIRCrew [TNT Village]

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Riverdance Lord Of The Dance Michael Flatley - Gold at Chicago (2000) [DivX Eng Mp3] MIRCrew [TNT Village]


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Riverdance Lord Of The Dance Michael Flatley - Gold At Chicago (2000)

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LORD
OF THE DANCE:
The lightning that couldn't strike twice

(Lord of the Dance has now been performed
worldwide for more than ten years, by multiple troupes all owned by Michael Flatley's own company Unicorn Entertainment.
During those years, under 

his direction, the show has undergone many evolutions in costume and set, and
different lead dancers have put their stamp on the various productions. For the purposes of this study, it is 

the original version of the show that will be referred to.)

When Michael was fired from Riverdance the Show
in October 1995, he disappeared from public view for several months, maintaining a dignified, stoical silence amidst a
barrage of unbridled 

attack through the media. What the public did not know was that he was immediately
fighting back in his own steadfast way, by creating a new show, this time one wholly and singly focused, 

with Ireland 'standing on her own two feet', undiluted by foreign dance disciplines. On December 30th 1995 he first
showcased a prototype of the dance 'Warlords' with a group of male 

dancers, as an entertainment act during
the Irish TV awards show at the National Concert Hall. The dancers all in black T-shirts and pants, dancing acapella, it
transmitted as an extension 

of the 'Distant Thunder' dance from Riverdance the Show but already showed
marked choreographic progression. It was announced as being part of Michael's new show Lord of the Dance. Michael 

said in a radio interview in June 1998 that no-one wanted to know him that day, no-one shook his hand as he
headed for the stage, and only his two longtime close friends, radio presenter 

Gerry Ryan and Point Theatre
owner Harry Crosbie stood loyally by him. So the rapturous audience response to the number, showing a strong wave of
support for him personally and a ready 

appetite for more of his work must have been a life-giving tonic.

As publicity grew for the new show, many said 'Lightning can't strike twice!' There could never be another
Riverdance, and especially not stretching the Irish content to be the entire show. 

However, as Michael said,
they could not possibly know the vision he had or have any idea of all the wonderful developments he had still in mind
for Irish dance. The July 1996 opening at 

the Point proved a shock experience for all those packing the
theatre, so different was it to what they expected and to all that had gone before, yet still rooted firmly in the
traditions 

of Ireland. On the surface the show presented a charming fairytale of a little child's dream,
swathed in fantasy and myth, colourful costumes and updated, rock-oriented music, and 

connoisseurs of the
dance marveled at the technical quality of the dancers Michael had trained and reveled in the superb choreography, this
time unarguably Michael's own from beginning to 

end.

However, Michael himself admitted in a
couple of interviews that Lord of the Dance could be read a thousand different ways and he intended it to be so, and
close study of the numbers, 

beyond the dancing, reveal a depth to the show and cultural details of
provenance to which many who see it are oblivious. Those details are not only of interest to those who enjoy watching


the shows from a more intellectual standpoint but also constitute an important part of the reason the
Flatley shows stand alone amid all their many competitors. Some other shows have used a 

storyline, either
traditionally based or newly invented, some have quality costuming and pleasing set, enjoyable music score, yet none to
date has succeeded in being in the same league as a 

Flatley show, and given that many of the same skilled
dancers move from show to show, the answer has to lie elsewhere. Now, since Michael has become 'the Billionaire Dancer',
it is all too 

easy to put the difference down to being financial - Michael can spend whatever he wishes on
the production while others barely scrape together sufficient funds to stage their shows 

professionally at
all. With Lord of the Dance that certainly was not the case and yet with that show Michael created a classic of such
strong global appeal that it can still sustain 

multiple visits to the same cities across the world after a
full decade, and despite subsequent masterpieces, it remains the favourite of many showgoers.



**************************************************************************

The
'Riverdance' phenomenon has seen the show performed all over the world. This documentary on the popular musical follows
its evolution, from its beginnings in Dublin up to its global 

success in places as diverse as New York City
and Geneva. Highlights from the various performers who have taken roles in the performances around the world prove to be
the best highlights, 

with Michael Flatley, Jean Butler, and many others displaying their talents. Of course
the music is important as well, and it's fascinating to see various bands from different countries 

interpreting Bill Whelan's sensational score.

***********************************************************************

Il fenomeno "RIVERDANCE" è stato
visto e applaudito in tutto il mondo.
Questo documentario di musica popolare irlandese è in continua evoluzione,

nata nei sobborghi di Dublino si è espansa e rivoluzionata, fino a toccare l'apice del successo in città
come New York o Ginevra
Tanti artisti si sono succeduti portando in  ognuno di loro un modo diverso di interpretare
la danza, 
interpretazioni che hanno fatto il giro del mondo.
Grandi interpreti come Michael Flatley o Jean
Butler, e tanti altri.
Naturalmente anche la musica è protagonista, resa celebre da  grandi BAND 
di
differenti paesi che interpretano a modo loro le grandi musiche di BILL WHELAN.

*************************************************************************************

Durata: 	124 min.	
Genere: 	Musicali e concerti



Flatley è nato a Chicago (Illinois), da una famiglia di origine
irlandese (i genitori erano di Sligo e Carlow). Cresciuto nel quartiere irlandese della città Flatley comincia a
studiare 

danza a 11 anni e nel 1975 diventa il primo non residente europeo a vincere il premio All-Ireland
World Championship per la danza irlandese.

**********************************************************************

Of the many shows that came in the
wake of Riverdance, Magic Of The Dance is one of the more bizarre. Combining stiff-backed, rubber-legged Irish dancing
with American tap, the show depicts 

a young couple who fall in love at a dance.

Emigrating to the
USA, they flee not only famine but fleet-footed mystical demons. The plot's irrelevant, however: Magic Of The Dance is
pure spectacle. Marvel at costumes that resemble 

what ice-skaters might wear to a medieval banquet,
Christopher Lee's hammy recorded narration and, most importantly, those flying legs and feet that never miss a beat,
even when they burst 

into flames for the finale.








***********************************************************************



[spoiler]
General
Complete name                    : Riverdance Lord Of The Dance - Michael Flatley - Gold - Chicago -
(2000).avi
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